Nostalgia, joy, melancholy, big feelings, moments of lightness – printmaking has a way of capturing the things we cannot touch and it’s evident that our featured artists are happy to let their materials show them the way to illustrate these feelings and emotions – slowing down and taking time to look carefully at their work and the world around them. Their choices of how ink sits on paper, the subtle mix of colours and the space between shapes all add up to a visual language they call their own. 

Consider Lisa Takahashi’s modern take on Hokusai’s Mount Fuji series, for example – a print that is made using the same medium and of the same mountain, but with a twist that includes her own journey, heritage and relationship with the artist. It’s great to see Blaise Drummond’s energetic sketches in his article – proof, if you need it, that the simplest of drawings can lead to the finest of prints. To quote illustrator Nathaniel Russell, “I think of printmaking as a guitar pedal – if my drawing is the song or the notes on a guitar, the printmaking process is the filter through which I lose control and become more than I am.”

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Issue Thirty-six featured artists/studios:
Bonfield Block Printers  •  Paul Cleden  •  Blaise Drummond  •  Martin Grover
Jessamy Hawke  •   Jake Hollings  •  Issue 36 Print Challenge  •  Matthew Leach
Matthew Lintott  •  Ross Penwill  •  Anja Percival  •  Karen Radford
Riso Des Bois   •  Nathaniel Russell  •  Lisa Takahashi  •  Sidney Wilson

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Format: 100 page perfect bound publication, printed by Buxton Press on Edixion Offset paper.

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